Marco Paret Introduction To Mesmerism And Quantum Magnetic Gaze

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Marco Paret Introduction To Mesmerism And Quantum Magnetic Gaze

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A00 – Introduction Video

This video will help you gain the right mindset to practice Mesmerismus™. This course will give you the correct training to develop your own personal magnetism. Developing magnetism means developing the natural energy that lies wihin all of us. The methods we will use are direct and practical. They involve simply yourself and the use of your natural vitality.

A13 Quantum Magnetic Gaze (Fundamental)

A video on classical magnetism. The subject feels the hands and has even the impression of “seeing” them even with closed eyes.
AFTER

A very important exercise on MAGNETIC GAZE with a beginner practising. Practice until you become proficient
WHO WOULD NOT LIKE TO PROVE ATTRACTIVE AND TO FASCINATE?

To «fascinate» bears the connotation of “producing a spellbinding effect or enchanting through one’s look or speech”.

By means of this organ, in fact, astonishing results can be achieved. The influence exercised by man over another member of the species is no doubt the product of a multiplicity of causes, yet no one of those underlying causes is comparable, in terms of its potency, to the one possessed by the look. Our thought, too, is influenced by the look. The very phrase “vision of the world” is traceable back precisely to that reality. After all, even in the most mundane aspects of human life, we are accustomed to judge on the basis of the outward appearance. We create a certain opinion of one person firstly on the basis of his physiognomy and, secondly, on the basis of what dress he is wearing. For sure, speech helps fashion ideas and beliefs, but what happens when such action is not validated by one’s look? When one listens to a person without seeing him, the content of what he is saying is only understood by creating some mental images, imaginary mental images. Words gain in potency when they are backed up by the look.

A proficient orator deliberately trains the way he looks at the audience in order to lend greater force and persuasive efficacy to his verbalizations.

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